One of the MAJOR disadvantages to doing and online release of an album is that the media (whether it be print or online) tend to not review your album. I can't really explain why… I would probably break it down to reviewers don't really get paid to do what they do so they like to have a retail copy of the CD to keep as "payment" for their hard work. Personally, I can understand that theory however, I frown slightly on it due to the fact that sometimes I would just rather put out material online than spend the money printing it. So… if you are a reviewer or know someone who reviews material.. please take this stuff into consideration. Not just for me but for other bands.
One webpage that did actually take notice of Cauldron of Fuzz V is my good friends at STONERROCK.COM. These guys have taken an interest in Planet Gemini since it's inception and I'm quite lucky that Dan and crew are all open minded to my "underground" type philosophy.
The following is a review for "Cauldron of Fuzz V: Sometimes it Comes Back"
Planet Gemini - Cauldron of Fuzz V: Sometimes It Comes Back
Reviewer: Joel Geraghty (StonerRock.com)
Label: WoeconstrictoR Records
Release date: October 31, 2007
The very definition of a solo band, Planet Gemini is a one-man show owned and operated by the capable and talented Hellion. He sings and plays all the instruments in addition to recording, mixing, producing, and releasing everything himself from his home studio. After putting the next planned LP, Wicked, on hold for the time being, H's urge to create was so powerful that he wrote and recorded the newest installment in Planet Gemini's annual Cauldron of Fuzz Halloween series in less than three weeks and was still tweaking the record the night before its free release via download on the band's website.
Cauldron of Fuzz V: Sometimes It Comes Back is a guitar-heavy album with riffs, solos, leads, and layers galore as it retains the heavy traditional doom slant of Gemini's previous recordings on tracks like the pummeling "Ritual Evolved" and the sludgy "Demonic Wall," while "The Start of My Demise" is an upbeat rocker with a groovy stoner vibe. The record also admittedly marks a more experimental direction to explore the limits of what a studio-only band can do, without any limitations or concern for whether or not the songs can be replicated live in concert. Trippy vocal effects and ethereal psychedelic elements are woven throughout the two back-to-back epics of the album, "A Time Before Time" and "Temples of Infinity," which combined clock in at approximately 18 minutes, but the journey is satisfying with the brilliant use of light and shade. H approaches his music as art and it shows. These are my two favorite songs from the lot and I am intrigued by the hint of H following this path on his next project.
Evident from the perfectly-titled lead off track, "Ritual Evolved", Cauldron of Fuzz V represents the evolution of the player behind Planet Gemini as H's primal, authoritative drumming has vastly improved and his bass lines are so meaty you could eat them for dinner. The guitars soar and H's distinct vocal s t y l e sounds better than ever. A blazing cover of Pentagram's "Day of Reckoning" caps off the album, paying tribute to one of Planet Gemini's primary influences. Don't let the "free" price tag fool you, this isn't something that sounds like it was thrown together and recorded in somebody's half-assed basement studio. Planet Gemini is serious business and Cauldron of Fuzz V: Sometimes It Comes Back is the pinnacle of one man's vision.
I would like to take the time to thank Joel (AKA Chrononaut) for reviewing the album. It's very much appreciated.